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1986 - 1987 -
1988 - 1989 -
1990 - 1991 -
1992 - 1993 -
1994 - 1995 -
1996 - 1997
1998 - 1999 - 2000
- 2001 - 2002 -
2003 - 2004 -
2005 -
2006
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1986
Height of Man: 8 feet
Location:
Baker
Beach,
San Francisco
Participants: 20
-
Larry
Harvey conceives first Burning Man. Larry and Jerry James construct
improvised wooden figure and burn it.
-
Crowd
instantly doubles as figure ignites.
-
Bystander clasps figure's hand as it burns -- first spontaneous
performance.
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Built
in honor of Summer Solstice.
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1987
Height of Man: 20 feet
Location:
Baker
Beach
Participants: 80
-
As Man is expanded in
size, triangular face remains as part of image.
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1988
Height of Man: 30 feet
Location:
Baker
Beach
Participants: 150-200
-
Harvey
names statue "Burning
Man."
-
Figure now assembled
from component parts.
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1989
Height of Man: 40 feet
Location:
Baker
Beach
Participants: 300+
-
As Burning Man is lifted
into place by participants, the legs and pelvis break away. The figure is
burned in a semi-erect position.
-
Park police arrive,
"who's in charge here?" - local TV station videos their ineffectual
attempt to stop Solstice ceremony.
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1990
Height of Man: 40 feet
Location:
Baker
Beach (Burn Location:
Black Rock Desert,
Nevada)
Participants: 800
-
Society of Carpenters
now join Larry and Jerry to construct the
Man.
-
Larry Harvey designs the
contemporary form of Burning Man and drafts blueprints from which the
figure is built from year to year.
-
Dan Miller becomes the
Man's man -- chief engineer in charge of construction and erection of
figure.
-
Park Police arrive and
ban burning. A compromise is reached, allowing the statue to be assembled
and elevated, BUT not burned on beach site.
-
Proposal to move Burning
Man to
Black
Rock
Desert made during
discussion with San Francisco Cacophony Society (see The First Year in the
Desert). Event relocated in both space and time: to Black Rock on Labor
Day weekend.
-
Three weeks prior to
burning, Burning Man is vandalized -- reduced to kindling by chain saws,
the result of an accident. The figure is rebuilt in
San Francisco with two hours
to spare before being transported to desert and destroyed.
-
90 participants attend
desert burning.
-
The Burning Man is
ignited by David Warren, a retired carnival worker and veteran fire
breather.
-
Official video
documentary is produced and edited by Larry Harvey, filmed by Judith Iam.
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1991
Height of Man: 40 feet
Location:
Black
Rock
Desert
Participants: 250
-
Larry Harvey is awarded
grant by Capp Street Project for an installation of the completed statue
at
Fort
Mason
Center in
San Francisco.
-
Burning Man is built and
installed on a barge which floats between two docks at
Fort
Mason. John Law
creates a neon outline of Burning Man that is installed on the exterior
front of the figure's wooden frame.
-
The first desert
survival guide is produced for participants attending the Burning Man
event.
-
Burning Man is ignited
by fire performance artist and dancer, Crimson Rose.
-
The Bureau of Land
Management (BLM) requires a recreation permit and files an environmental
impact report regarding the condition of the camp site, post-celebration:
"After the event was over, within a week of inspection, no trace of the
burning ceremony or the camp site can be found."
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1992
Height of Man: 40 feet
Location:
Black
Rock
Desert
Participants: 600 attendees
-
Burning Man is
transformed into the Black Rock Arts Festival.
-
Burning Man culture
expands to include a fashion show, an art festival, and an "Exploding Man"
(Kimric Smythe).
-
Danger Ranger founds the
Black Rock Rangers.
-
Java Cow first appears
on the playa.
-
Danger Ranger edits and
prints the first edition of the Black Rock Gazette.
-
Burning Man is loaded
with fireworks that create a spectacular crown that hovers over the
flaming statue.
-
The first Donner Award
is given to a pilot who manages to land his Cessna upside down just south
of camp.
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1993
Height of Man: 40 feet
Location:
Black
Rock
Desert
Participants: 1,000
-
Burning Man culture
continues as the camp site is laid out in direct relation to the
Man. The camp convenes in a
circle in front of Burning Man, with a main avenue lined with lanterns
leading to him. The lanterns are lit each night, illuminating the way to
Burning Man. Camp layout and lamp post are designed by Larry Harvey.
-
Burning Man establishes
community media services with a radio station onsite.
-
Danger Ranger brings the
first art car, the "504 PM Special," to the
Black
Rock
Desert.
-
Peter Doty creates the
first theme camp by dressing as Santa, giving away free fruitcake and
eggnog at "Christmas Camp."
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1994
Height of Man: 40 feet
Location:
Black
Rock
Desert
Participants: 2,000
-
Burning Man acquires an
online presence with a website on the WeLL, a Sausalito-based Internet
provider.
-
A documentary is filmed
by Australian TV. The event is covered by print media from
France,
Germany and
Great Britain.
-
Larry Harvey and Pepe
Ozan found Burning Man's annual
San Francisco performance art
show.
-
Distinctive art
installations at event include Chris De Monterey's Camera Obscura, Pepe
Ozan's 30-foot lingam fire tower, Greg Schlanger's interactive shower, and
Ric Louchard's musical installation, "Four Directions."
-
A performance by
San Francisco percussion group
Sharkbait highlights the night of the burn.
-
The Man is lit by
Crimson Rose and Will Roger.
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1995
Height of Man: 40 feet
Location:
Black
Rock
Desert
Participants: 4,000
-
Burning Man becomes most
populous settlement (albeit temporary) in
Nevada's
Pershing
County. Camp is now
known as "Black
Rock
City."
-
Burning Man's Internet
presence expands to include multiple interconnected Web sites.
-
An email discussion list
is established.
-
The onsite daily
newspaper, the Black Rock Gazette (edited and published by Stuart Mangrum),
is uploaded to the World Wide Web each day of the festival.
-
Theme camp culture grows
to dominate central camp design (superintended by Harley K. Bierman).
Camps include: Algonquin Roundtable Camp, Tiki Camp, Bigfoot Shopping Maul
and Croquet Camp.
-
Cacophony Societies from
Portland,
Los Angeles and
San Francisco make
contributions.
-
Festival comes under
intense scrutiny of local and federal authorities. After the event,
participating law enforcement and land management officials give Burning
Man project across-the-board "A-plus" ratings for safety, organization and
cleanup.
-
Major installations
include Pepe Ozan's fire lingam and Ray Cirino's "Water Woman."
-
CNN begins yearly
coverage.
-
Dust, wind, lightning
and rain provide a dramatic shower.
-
Large numbers of "mud
people" take part in impromptu celebrations under a full double rainbow.
-
After a jet car drive-by
(piloted by Deso Molnar), the Burning Man is lit with a flame-thrower.
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1996
Height of Man: 50 feet
Location:
Black
Rock
Desert
Participants: 8,000
-
Burning Man becomes
Internet phenomenon, attracting participants worldwide. Activity begins to
spread beyond event, spawning troupes and performances across
U.S.
-
Villages, micro models
of the macro whole, begin to spontaneously form.
-
A pyramid, designed by
Dan Miller, now extends height of Man to 50 feet.
-
Chris Campbell becomes
chief designer of Burning Man, introduces curving ribs and modified face.
-
Art pageant features
machine art by
San Francisco's "Seemen"
troupe. This year's theme: the Inferno. HELCO, a supra-national
onglomerate, attempts to buy out Burning Man and fails.
-
Pepe Ozan's lingam
becomes a full-scale pageant and opera.
-
Other art includes "Mudhenge,"
the "Piano
Bell," the "Stupa of Limbo," and Jim
Mason's "Forest of Fire and Ice."
-
Larry Harvey founds
committee to manage Burning Man event.
-
Infrastructure strained
by increasing influx of attendees. Plans begin to relocate Burning Man to
Hualapai Playa.
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1997
Height of Man: 50 feet
Location: Hualapai Playa
Participants: 10,000
-
Event moves to private
land.
-
Attendance hurt by
difficult permit process.
-
Burning Man LLC '97 has
seven members.
-
Despite stunted
attendance, theme camps are three-fold, and art installations are
four-fold the numbers of the previous year.
-
Major installations:
Michael Christian's "Bone Tower", Hendrik Hackl's "Ammonite" (from
Germany), Pepe Ozan's "Daughter's of Ishtar," Jim Mason's 10' iceball/sundial,
"Temporal Decomposition."
-
Onsite media included:
CNN, ABC's Nightline, NBC, Time, Washington Post, and a German television
crew, and publications from
England,
France,
Japan and
Brazil.
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1998
Height of Man: 50 feet
Location:
Black
Rock
Desert
Participants: 15,000
-
Theme: Nebulous
-
Event moves back to BLM
managed land on the
Black
Rock
Desert.
-
Burning Man volunteers
form the Burning Man Earth Guardians to help the BLM manage the desert.
-
Burning Man LLC '98 has
8 members.
-
City has 4 village
circles.
-
Streets are numbered and
include street signs on each corner.
-
Large installations
include: Pepe Ozan “Temple
of
Rudra”, “The Chapel
of the Burning Book”, Dan Das Mann “The One Tree”.
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1999
Height of Man: 40 feet
Location:
Black
Rock
Desert
Participants: 23,000
-
Theme: Wheel of Time.
-
Street signs incorporate
the theme of time. Annular Streets run from 2:00 - 10:00 and Radial
Streets are named after the planets.
-
The Man was the center
of a giant clock face with an art installation at each hour mark. On
Friday night, a grand procession traveled around the Wheel of Time, led by
Dana Albany's Bone Tree, which played eerie music and was the focal point
of a performance at the 6:00 mark, led by Father Time, perch high atop the
Bone Tree. From there we moved around the clock, viewing performances at
each hour mark, including 7:00; Woodpussy “Burial In Space”, 8:00; LA
Cacophony “Small After All World”, 9:00; Kal Spelletich and Seemen
“Industrial Zone”, joined by Austin Richard mobile Tesla Coil “Electrobot”,
and Christian Ristow's flaming machines, 10:00; Kunst Stoff Dance Theatre,
11:00; Mark McGothigan “Rome Built-in-a-Day”, 12:00; Kymric Smythe “Big
Bang”, 1:00; Mr. Bear “Battle of the Millenium”, 2:00; Steve Heck “2”,
3:00; Pepe Ozan opera “la Mystere de Papa Loko”, 4:00; Peri Pfeninger's,
5:00; Steven Raspa “Futura Deluxe Bubble Fountain and Porta-Temple”.
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Many theme installations
occupied the inner Wheel, including Chris de Monterey's “Pyramid Camera
Obscura”, Bob Stahl's “Flying Dinosaurs”, Larry Breed's “Chaotick”, Troy
Van Berry's “Hestia 2525”, Robert Becker's “Chronoschizophilia”, Ismist's
“IDIOM”, EErik Alschuler's “JAnus”, StephanieAndrew's “Hall of Possible
Selves” and Antenna Theater's “Sands of Time”.
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2000
Height of Man: 40 feet
Location:
Black
Rock
Desert
Participants: 25,400
-
Theme: The Body.
-
Street layout again
corresponds with the theme: annular streets again run 2:00 to 10:00, with
radial streets named for body parts. “Head
Way” is at the center; “Feet
Street” is the outer road.
-
Over 140 members of the
worldwide media register to cover the event.
-
“Loud Side/Quiet Side”
designation is replaced with a new sound policy that places large-scale
sound installations at the top of the “U” shape, at 10:00 and 2:00, facing
out onto the playa. New policy is a success and far fewer noise complaints
roll in after the event than in previous years.
-
Theme Art area continues
to grow. Defining the area is an installation called “Laser Man” by
Russell Wilcox of Lawrence Livermore Laboratories; projected by towers 30
feet above the playa, green lasers form the body of the Man in the shape
of the logo. Along the “spine” of this pictogram are placed major works of
art inspired by the human body, including the Burning Man at the Solar
Plexus. Among these works: WHISPER by Christopher Carfi – a pair of
parabolic dishes situated at the “ears” of the man - the tinest whisper
into one dish could be heard at the other hundreds of feet away;
RIBCAGE/BIRDCAGE by Jenne Giles and Philip Bonham, a 17 foot high
‘birdcage' shaped like the human ribcage, complete with a swing where the
heart would be; HEARTH by Sidney Klinge and Charles Smith, a popular 20'
iron and steel heart which pulsed with fire and warmed participants at
night; and ANUS by David Normal and Max Hunter, a sculpture of a 12'
sphincter and two mighty squatting legs, through which participants could
crawl.
-
Theme camp participation
continues to increase, with over 460 camps registered.
-
The Center Camp Café
grows to a stunning 34,000 square foot structure, and incorporates an
expanded cafe staff, four beautifully decorated themed areas, and a stage
for musical or spoken word performances.
-
A new policy is
successfully implemented which ceases ticket sales at the gate after
Friday to discourage last-minute visitors.
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2001
Height of Man: 70 feet - Man stands upon the
Tower of
Enlightenment
Location:
Black
Rock
Desert
Participants: Monday: 6,758; Saturday: 25,659
-
Theme: Seven Ages
-
The Gate staff had a new
problem this year: counterfeit tickets. They caught an estimated 99% of
the counterfeit tickets and assisted the box office in the collection of
information about the perpetrators from distraught and angered
participants who still had to buy full-price tickets.
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During the event, the
portable toilets (long a scandal among participants) remained clean, and,
when everyone departed, exodus was smooth and we had to clean up far fewer
burn scars and trash.
-
After selling 6
truckloads of ice in 1999 and 7 truckloads in 2000, in 2001 the
CampArctica staff distributed 13 45' semi trucks loaded with ice.
-
In addition to the
normal work building
Black
Rock
City, DPW launched an
ambitious plan to develop a better base of operations. Those operations
are centered at the Work Ranch—the bone yard formerly known as 80 acres—a
leased property located in Hualapai Valley about 13 miles from the present
location of Black Rock City. At the peak of the work season in August over
200 DPW workers inhabit the Work Ranch.
-
For the first time every
artwork was marked with GPS (global positioning station) waypoints, which
facilitated tracking of placement and cleanup.
-
Asylum, the first New
York based Village is organized with over 250 participants seven theme
camps and a 48 foot truck container that was hauled from New York City to
Black Rock City and back!
-
Upgrades in the already
fabulous Center Camp Café distribute 70,000 beverages over the course of
the week—a 40% increase over 2000—with very few lines until exhaustion
overtook the shift schedules post-Burn.
-
One of the warmer, drier
events on record. Lack of rain in the winter and spring lead to a more
crusty, powdery playa than in previous. Thin tire bikes were almost
useless in the powder.
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There were approximately
220 registered media for 2001, down slightly from the estimated 250 in
2000. Largest decrease was in the webzines, many of which Dot-bombed
between BM2000 and BM2001.
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The international media
began discovering
Burning
Man. About 30 percent of the
registered media in 2001 were international.
-
The Media team is
spending an increasing amount of time doing more work copyright protection
or Burning Man images—getting auctions pulled from eBay, telling people
they can't associate products with the Burning Man name. There is also a
heightened sensitivity about the rights of individuals when it comes to
being photographed. This is extending to the regional events as well,
which are working with Media Mecca to establish their own camera policies.
-
Inspection of the site
in spring of 2002 revealed the best clean-up effort yet! We passed the
inspection with flying colors, and thank all of you for your outstanding
efforts to leave no trace!
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2002
Height of Man: 80 feet - Man stands upon a 40 foot Lighthouse
Location:
Black
Rock
Desert
Participants: Monday: 7,328 Saturday: 28,979
-
Theme: The Floating
World
-
In March, Burning Man
rolled over its volunteer management tool to a new database called the
People's DB. Created specifically for Burning Man's purposes, the new DB
added greater functionality and scalability to the database and created a
more customized volunteer management environment.
-
The Regional Contacts
program gains more momentum than ever before, as more and more Burners
reach out to connect in their own communities all year long. For the first
time, three regional communities are featured in the Burning Man summer
newsletter.
-
The hard-packed, cracked
playa surface returned, along with some of the most delightful weather in
the history of the event. With the exception of a short whiteout on Friday
night, BRC enjoyed warm, mild, and clear weather all week, right up until
Tuesday after the event, when a five-day dust storm rocked clean up crews
and greatly impacted their ability to clean up and tear down the city.
-
A new ticket vendor is
selected prior to the start of ticket sales in January. The new company is
a smaller, burner-owned operation, which allowed us to develop better
relationships with them overall. A new system was developed which was
highly specialized to the needs of Burning Man, and the ticket process
improved enormously.
-
The counterfeit ticket
issue was almost completely obliterated, as the new vendor offered a
foil-stamping technique that made counterfeit tickets extremely difficult
and expensive to reproduce. As a result, not one confirmed counterfeit
ticket was presented at the gate. The new tickets also had artwork on
their face, creating a perfect Burner keepsake.
-
In the year leading up
to the 2002 event, the media team dealt with and resolved roughly 100
issues relating to trademark infringement.
-
Nearly 300 media outlets
attended the event – the largest number ever. About 30 film proposals were
rejected in an effort to reduce the number of film crews on the playa.
-
More participants than
ever chose to create and be a part of theme camps, with a total of 445
camps registering for placement.
-
Burning Man goes to
court: in an attempt to stop the sale of unauthorized nude videos shot in
Black
Rock
City, Burning Man has
entered a suit against Voyeur Video requesting an injunction against the
distribution of their unauthorized footage from the event.
-
In response to the
growing number of motorized vehicles over the years, the standards for art
cars were greatly strengthened and enforced, out of concern for dust
abatement and public safety.
-
For the first time, the
Burning Man Technology Team webcast the event and the burn without
contracting an outside company, instead using in-house resources and an
ad-hoc public networking infrastructure, constructed largely by The Oregon
Country Fair crew and by PlayaNet, which exists for the benefit of all
Black Rock City participants. This allowed for complete control of the
presentation of the stream, delivered within pages designed by the Burning
Man Web Team.
-
The
BRC
Airport was larger
than ever before, and about 70 airplanes and helicopters spent at least
one night.
-
The “ancestors” returned
to the burn in the form of towering whirls of flame and smoke that spun
off the base during the burn. Five hundred members of the Fire Conclave
spun in the procession before the burn, some on elevated platforms to
increase the visibility for the viewing audience.
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2003
Height of Man: 32 feet, standing upon a 47-foot, pyramidal
Temple
Location:
Black
Rock
Desert
Population: 30,586
-
Theme: Beyond Belief
-
Burning Man organizers
successfully met the challenge of new stipulations in the event permitting
processes in order to allow
Black
Rock
City to become a
reality once again.
-
The initial response to
the ticket sales announcement far exceeded experience from previous years.
We knew early on that we would see high enthusiasm and turnout.
-
The creation and launch
of the Extranet in 2003 revolutionized the way volunteers and participants
share and access information throughout the Burning Man community around
the world.
-
The Regional Contacts
program continued to expand, as new regional groups continued to organize
and started to put on their own events and to communicate with each other.
A Regional Summit was held on the playa, and the Regional Contacts were
all brought together for the first time.
-
Black
Rock
City
saw the addition of a new street and additional port-a-potties, as
interest in the event continued to grow and population increased to the
highest numbers ever.
-
Two new spire-lined
walkways connected the 3 and 9 o'clock plazas with the
Man. These avenues gave
Black
Rock
City a new look,
aided nighttime navigation, and created a new challenge for the
Lamplighters, who are responsible for lighting the streets each night.
This addition was the first major change to the Lamplighter workload since
the addition of the walkway from the Man to David Best's
Temple of
Tears in 2001.
-
The city contained 504
theme camps in 2003, up from 487 in 2002. The space allotted to theme
camps remained the same as previous years, while the population density of
mapped areas grew immensely – 12,000 to 15,000 participants camped in
mapped theme camps that comprised approximately 30% of the city.
-
For the second year in a
row, we were blessed with beautiful weather, except for a small storm
during set-up and a white-out storm on Sunday. For the first time in
years, the clean-up crew was not lost in a several-day-long white-out
storm.
-
At 12:15 p.m. on October
10, 2003, Burning Man passed the Bureau of Land Management's clean-up
inspection with flying colors!
-
According to the Bureau
of Land Management, Burning Man is the largest Leave No Trace event in the
world.
-
The winter Town Hall
meeting took place on December 14, 2003 after a year absence. Participants
were invited to this open forum to ask questions about issues of interest.
For the first time, the Town Hall session was accessible over the web, so
Regional Contacts and others could view and participate in the event.
-
Nearly 300 media outlets
sent representatives to Burning Man – the largest number ever. About 30
film proposals were rejected in an effort to reduce the number of film
crews on the playa.
-
For the first time in
2003, dogs were not permitted to attend the event.
-
Recycle Camp collected
more than 96,000 cans, then crushed them and donated them to
Gerlach
High School. The high
school received $800 for the cans, which will help fund programs and
projects at the school.
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2004
Height of Man: 40 feet, standing upon a 40 foot geodesic dome
Location: Black Rock Desert
Participants: Participants: 35,664
Theme: The Vault of Heaven
-
Black Rock City contained 503 theme camps, about the same number as the
previous year, and over 220 artworks dotted the open playa. Many of
these works explored things celestial and scientific, in participation
with the them
-
Around 40 art projects registered but did not show up
on the open playa. Many of these artists reported difficulties with the
weather early in the week, which brought periodic dust storms and high
winds.
-
The Man stood atop a geodesic dome which housed 11 scientific and celestial
artworks, and which was ringed by ten interactive stages, imagined as
“alternate universes” where individuals and troupes staged various
performances.
-
The hard-working DPW built the perimeter fence surrounding Black Rock City
in a record two days.
-
Due to a still-pending permit status, setup crews were not able to camp at
Black Rock Station, Burning Man’s work ranch. Early work crews instead were
housed in rented trailers at the Gerlach Estates Trailer Park.
-
271 spires lined the major streets and promenades, supporting 700 lanterns
arduously lit each night by the Lamplighters.
-
At Center Camp, participants were encouraged to bring their own cups for
coffee, thanks to a new development in Health Department cooperation at the
Café. Trash cans were eliminated and any paper cups used were instead spiked
onto the new “Shish-Cup-Bob” for burning.
-
Approximately 95,000 cans were crushed at Recycle Camp, once again raising
nearly $800 for the students of Gerlach High School.
-
Biodegradable products were used to serve meals at the staff commissary, and
the Project tested the first biodiesel generator to be used in its
infrastructure.
-
A new preregistration requirement may have taken some art car enthusiasts by
surprise: 420 licensed mutant vehicles roamed the playa, down from 560 in
2003.
-
The Regional Contacts program continued to thrive year-round, boasting 85
local contacts at the end of 2004. Early in the year, the program was
further established with the launch of the Regional Network, a formalized
relationship between Burning Man and the Regional Contacts.
-
The Regional Network has a Center Camp presence for the first time, with the
Regional Information Center, constructed and staffed by Burning Man’s
Regional Contacts.
-
Los Angeles held the second-largest Decompression event post-Burning Man,
held once again on several city blocks near downtown.
-
In the 2004 census, approximately 30% of participants polled responded that
they had attended a local regional event.
-
Burning Man once again registers over 300 members of the press, including
many international outlets.
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2005
Height of Man: 40 feet, standing (and rotating) upon a 32-foot
tall Funhouse containing an interactive maze.
Location: Black Rock Desert
Participants: Saturday: 35,567 Theme: Psyche — The
Conscious, Subconscious & Unconscious.
- Great weather, more art and smooth operations combined
to create what many dubbed "the best Burning Man yet."
- The San Francisco Chronicle created "Burning Man At 20"
— a feature series commemorating the twentieth burn. During
the months leading up to the event, the paper published a
series of articles about all things Burning Man.
- The Funhouse, the most complex Man-base to date, was
completed ahead of schedule. The structure contained a maze
with 41 rooms-each with a different work of theme-related
art. Participants who found their way through the maze could
climb to the second level and rotate the Man.
- The Burning Man Project increased funding for art
projects to support 32 artists. In total, 275 art projects
took their places on the playa.
- A group of Burning Man participants calling themselves
"BORG2" made a public challenge of the Burning Man Project
to an "art duel" with a bet that BORG2 would raise $250,000
for art. However, because BORG2 raised only $25,000, Chicken
John ended up in a dunk tank at SF Decompression.
- A team of staff and volunteers from multiple departments
redesigned the layout of Black Rock City. The new layout
distributed Theme Camps radially into the city reducing the
separation between the esplanade and streets farther back in
the city.
- Theme camp registration processed 508 applications, and
485 theme camps were placed in Black Rock City.
- The Department of Mutant Vehicles registered 455 mobile
artworks, including 297 daytime vehicles, 33 nighttime-only
vehicles, and 125 that roved the playa both day and night.
- Black Rock City's FAA-approved airport landed 92 planes
with no problems or accidents.
- The Regional Contacts program grew to 80 regional groups
worldwide, with an additional 35 interested applicants
pending. The Regional Information Center was in Center Camp
for the second year in a row. Burning Man hosted a regional
summit in First Camp during the event.
- The Bureau of Land Management (BLM) developed a more
stringent cleanup standard and inspection protocol for all
permitted events within the Black Rock-High Rock National
Conservation Area. The standard allows no more than 1 square
foot of debris per acre. Burning Man passed the inspection
on October 4, 2005. In 15 years of site inspections and
monitoring, the BLM has discovered no significant long-term
environmental effects caused by the Burning Man event.
- A delegation of board members traveled to Washington,
D.C., for the third year in a row to meet with legislators
and BLM officials. This year, the delegation also met
officials from the Department of the Interior, who oversee
all BLM operations.
- Embodying the principles of community, a group of
dedicated participants, volunteers, and Burning Man staff
organized their own independent relief effort on playa for
the victims of hurricane Katrina. The efforts continued
after the event ended and included raising and donating
funds, entertaining refugees, and rebuilding communities. A
crew from the Department of Public Works (DPW), Rangers, and
temple crew volunteers set up operations in Biloxi. Calling
themselves "Burners Without Borders," they worked to rebuild
a Buddhist temple destroyed by the hurricane.
- A new version of the "plone"-based Burning Man extranet
was rolled out with improved features enabling staff and
volunteers to communicate and share files from anywhere on
the globe.
- Participants created PlayaNET, a public WiFi system
covering all of Black Rock City.
2006
Height of Man: 40 feet standing on a 32-foot tall Art-Deco Pavilion
containing an interactive maze; Man elevates up and down, based on the
collective hopes & fears of Black Rock City citizens.
Location: Black Rock Desert, Nevada
Participants: Saturday (September 2, 2006): 38,989
Theme: Hope & Fear
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Great weather, minimal dust, more art and smoother operations again led to
what many call, "the best Burning Man ever."
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The Burning Man Project increased funding for art projects to support
artists. In total, 260 registered art projects took their places on the
playa.
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A group of artists from Belgium known as Uchronia created the largest art
piece ever built on the playa, which subsequently was burned in the
largest playa conflagration on record.
-
"Art In America" magazine featured Burning Man in its June/July 2006 issue
with the article, "Report From Black Rock City."
-
A major city redesign that began in 2005 proved even more effective in
2006 by distributing Theme Camps radially into the city, thereby
integrating more interactive camps throughout Black Rock City.
-
Black Rock City's FAA-approved airport landed 123 planes (including one
jet) and a hot air balloon with no problems or accidents.
-
In 2006 the Regional Network numbered over 100 Regional Contacts at 85
locations worldwide. The Regional Information Center was located in
Center Camp for the third year in a row. Burning Man hosted a regional
celebration in First Camp during the event for the sixth year in a row,
welcoming almost all its regionals together in one place for one moment
in time.
-
A delegation of officials from the Department of Interior and BLM in
Washington, D.C. visited Black Rock City to observe the largest Special
Recreation Permit in the United States. The delegation met with event
organizers and toured Black Rock City on a mutant vehicle.
-
Black Rock City, LLC completed a Five-Year Operations Plan as part of the
application for a multi-year Special Recreation Permit (SRP) from the
Bureau of Land Management (BLM). The BLM granted a Five-Year SRP to
operate the Burning Man event in the Black Rock Desert.
-
For the first time since 2000 Black Rock City was relocated to a new site
about one mile northeast of the previous site in order for the BLM to
continue researching whether there are any significant long-term effect
of the event. So far, the BLM has found none.
-
The number of arrests and citations reduced while population increased,
demonstrating that the Black Rock City demographic is maturing and
becoming better educated at what is acceptable.
-
A group of volunteers from the Black Label Bike Club in Reno introduced a
pilot Yellow Bike program in Black Rock city. The program provided free
community bikes and is refurbishing lost and stolen bikes to have an
even larger program in 2007.
-
The Black Rock Arts Foundation created an interactive community garden
known as Scrap Eden in Black Rock City, where participants contributed
to the garden by creating art onsite from scrap materials.
-
Google Earth added a satellite image of Black Rock City to its free online
imagery of the Black Rock Desert.
-
Current TV, founded by Al Gore, created TV Free Burning Man - Black Rock
City's first TV station. The station produced onsite news clips,
including full coverage of the Burn, that were beamed back to the
default world via the Internet.
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By forging a new relationship with the City of San Francisco, the Special
Events Team put on the first annual Fire Arts Expo at Monster Park.
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The theme for 2007 was rolled out earlier than ever before. On burn night,
the Green Man theme was announced on the Burning Man website.
-
Greening activities had already begun at Burning Man 2006 with efforts of
"Cooling Man" and Burners Without Borders (BWB). The Cooling Man project
raised carbon credits that offset the burning of the Man. BWB collected
unused lumber from participants in Black Rock City and in turn gave the
largest donation of lumber ever received by Habitat for Humanity in
Reno.Burners Without Borders also rallied in the spring of 2006 when the
Golden Gate National Recreation Area declared that it would no longer
allow fires on Ocean Beach in San Francisco. In an effort to keep
community fires alive (much like the very first Burning Man on Baker
Beach in 1986), BWB began a grassroots effort, which resulted in beach
cleanups, Park Service and artist collaboration, community burn
platforms designed and executed by artists, and consensus approving of
community fires on Ocean Beach.
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